Adam Buxton

December 14, 2009

SPIKE JONEZ INTERVIEW NEWS!

by Adam

INTERVIEW PODCAST & PATHETIC SLAP FOOTAGE!

Hello there. Just before new year’s resolution: post more bollocks on this blog. To kick off, here’s a picture of me and Spike Jonze at the BFI Southbank after I interviewed him about Where The Wild Things Are at The Apple Store in Regent Street on Saturday 5th December 2009. It was a really exciting day, as you may be able to tell from my special slightly-too-smiley smile.

ADAM & SPIKE 2009

Photograph by Linda Nylind

Listen to the podcast of the Spike Jonze interview HERE

I thought Spike might appreciate a break from the kind of indepth Q&A’s he must usually get and decided instead to read him some of the comments the You Tube trailer for Wild Things has accrued which I copied into photoshop for the audience to see. I’ve been doing the You Tube comments thing at BUG for a couple of years now and I’ve done it with my own clips at the odd live gig too and it’s always fun. I’m thinking of ways to do it on You Tube too so the whole process comes full circle. Anyway, here are the comments I used for Spike for you to enjoy at your own pace.

YOU TUBE COMMENTS FOR WILD HTINGS TRAILER

Luckily Spike had a sense of humour about it as I imagined he would and he seemd to enjoy himself as much as I did although upon listening back to the podcast I was a little shocked by how inarticulate I was at times. I was nervous and interviews are not my forte but still, I don’t think Mark Kermode concludes his critical musings by saying ‘…and stuff’ as much as I flipping do. Also it takes a while for me to get the ball rolling and it seems an age before you hear Spike do anything but breathe and chuckle. When he was finally allowed to speak however, he was as engaging and candid as I’ve seen him in front of an audience and though our conversation never got particularly indepth there’s some interesting moments I think.

One of the things we mention briefly is the time in 2003 that Spike and I found ourselves reading through the script for The Hitchhikers Guide To The Galaxy for our friend Garth Jennings who was vaguely considering Mr Jonze as a possible Ford Prefect. Below is a brief clip of us reading through a scene for the first time, which Spike decided to punctuate by slapping me hard on the face. It doesn’t look like much in the video but as I say in the podcast I was genuinely shocked albeit a little excited at having been slapped by Spike Jonze.

Another thing we mention in the interview is the video for UNKLE that was cut from the skate video Fully Flared that Spike worked on with Ty Evans. It’s pretty explosive stuff! (That’s a funny thing to say because the video involves explosions so I’m using the word ‘explosive’ both literally and metaphorically. Not bad eh?) Check it.

That’s enough Spike news.

Go and see Where The Wild Things Are though, I thought it was lovely!

Adam 14-12-09

Filed under FILM and INTERVIEWS and LIVE APPEARANCES and PODCASTS at 1:53 pm
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September 16, 2008

MOJO SONG WARS NEWS!

by Adam

MOJO SONG WARS INTERVIEW AND 2 NEW SONGS!

Well, I say songs, they’re more like extended jingles that I did for the music magazine Mojo after their deputy editor Andrew Male came and interviewed us for their website a few weeks back.

Read the short Song Wars interview here.

I love Mojo mag. I read a lot of music and film mags and Mojo is the only one that I have never thrown across the room in disgust. I am one of those men of an uncertain age who has piles of back issues in the attic and occasionally I’ll get a few random numbers down (we call them ‘numbers’ in the sad-mag-man universe) and read a few articles I skipped the first time round or maybe re-read some reviews of albums I’ve grown to love to see if our opinions tally. It’s also interesting to see how the tone of the mag has changed over years. Hey, it’s a party round my way, I tell you!

The other day I was thumbing a number from 2000 and was shocked to find how negative bits of the mag were then. I forgot they used to have an anonymous gossip section called The Walrus that made silly catty remarks about various bands as if someone working at Mojo felt they needed to get a slice of the Pop Bitch cake or something. I’m glad they’ve dropped that. Fuck anonymous gossip sections! Not that I’m in favour of blanket toadying, but I’ve always preferred publications that supply me with dispassionate information rather than ready made carping as if I’m not able to catch my own carp. The day I finally agree to write a bitchy opinion piece for some mag or website is the day you’ll know the vaults of the Banco de Buckles have got very bare indeed (which may be sometime towards the end of this year).

Anyway, as an expression of my ongoing affection for Mojo I came up with these extended jingholes in the style of Beck (circa Odelay) and The Fall (with M.E.Smith’s more recent growling vocal style, although I can’t pretend the music is too similar). They’re on the Mojo website but I thought I’d make them keep-able here.

MOJO THE FALL

MOJO BECK

Rooty toot!

love Adam 16th September 2008

Filed under INTERVIEWS and SONG WARS at 4:47 pm
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April 4, 2007

INTERVIEW NEWS

by Adam

O RUSSELL’S WIG & B3TA INTERVIEW

Well, it’s been a few days and I’ve digested David O Russell and his wig. I don’t think there’s much I can add to the whole thing other than to say it’s a little disappointing to find that maybe his fall out with George Clooney on the set of Three Kings was more down to him than Clooney who I was much more excited about disliking (especially after trying to stay awake through Goodnight And Good Luck having been told by everyone how AMAZING and IMPORTANT it was. Jesus of Christmas!) But hey, everyone’s allowed to blow their wig once in a while, right? Especially when they’re dealing with actors who can be the most infuriatingly obtuse people at the exact point a director needs them to just do the job they’re being paid a lot of money to do, which sometimes comes down to just doing what you’re told even though it may ‘go against your instincts’. (Here’s more Huckabees friction from Tomlin to illustrate although she seems cool enough about it all now). I guess if you’re going to go all nutty at them it’s best not be filmed doing it is the thing. David O Russell is great though. I wasn’t a massive fan of Huckabees but Three Kings is just about perfect for my money. He can call me a cunt any time.

Anyway, I’ve just been answering a string of ludicrous questions sent to me by Rob Manuel of B3TA who have been kind enough to feature a few of my You Tube clips in the past so I thought I’d post the full screed here for you as a kind of pathetic exclusive with the only person who’ll give me an interview! Just before that though, in the course of plugging our Coke podcasts for this I was checking the link and noticed that beneath the little biog thing they have for us are these LOVES and HATES:

Loves: 100 greatest’ TV shows.

Hates: The industry, the establishment, the man. Jamie Theakston.

Presumably someone was being ironic but just in case there’s any confusion we do not in any way love 100 Greatest TV Shows and if we were really the kind of people who proclaimed our hatred for ‘the industry, the establishment and the man’ we probably wouldn’t be doing a podcast for Coca Cola. Also neither of us has anything against Jamie Theakston at all. While we’re clearing up misconceptions that are threatening to plunge the world into deeper turmoil, I like and admire Leigh Francis of Bo Selecta fame very much.

OK, let’s move on to this important interview, which is made up from questions posed by the users of B3TA. As an exercise in pointless time wasting I tried to answer every single question I was sent. Thank fuck I’m not in a band. If I had to do this kind of thing more than once a year I’d be on heroin like a shot!

B3TA INTERVIEW

ADAM IN STUDIO

NOW

TIM MESSENGER


GENERAL


ADAM AND JOE


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March 28, 2006

INTERVIEW, MARCH 2006

by Adam

A DAY IN THE LIFE OF ADAM BUXTON

This is a piece I wrote last week for a local magazine that’s due to be published in a month or so. I hope they don’t mind if I put it up here first. I suspect that there won’t be a disastrous slackening of sales if I do.

7:00am

I’m woken by the sound of the baby monitor crackling to life as my 3 and a half year old son Frank starts talking loudly to whichever Bionicle is sharing his bad at that moment. “Hello Vazok. Did you sleep alright? Did you have bad dreams about a scary man? You shouldn’t be scared. You could easily kill that man until he’s completely dead. I love you Vazok” etc. My wife gets him and his younger brother up and gives them their breakfast while I lie in bed. Sometimes I feel guilty that she always does the morning routine and I never do, but she seems to really love it and I’m just not prepared to take that joy away from her. Plus I have some of my best ideas lying in bed in a semi conscious stupor.

Just today I came up with a new show set in a lighthouse. I would be the lighthouse keeper and I would have an army of tiny humorous creatures who live beneath the lighthouse and help me present the show, which could incorporate all kinds of surreal and hilarious items! This is an amazingly good idea and I would not have had it if I’d been changing nappies at 7am instead of lying face down on my pillow.

8:30am

In the bath I realise that my idea is Fraggle Rock. My wife goes to work and leaves our youngest son with our nanny while I take Frank to school on my bike. He likes the bike so much that he insists I use it even if it’s raining quite heavily. I don’t mind because it’s so enjoyable listening to him singing and crapping on to Vazok behind me as I peddle. It’s a very good way to start the day.

9:30am

Back home I have my breakfast whilst reading music magazines. Some of the pieces in Mojo and The Word are so well written, I don’t feel as worried as perhaps I should that they constitute the main part of my literary diet. Bad music journalism (of which there is a lot of course) makes me want to kill not only the journalist responsible but myself and the bands they’re writing about too. Maybe I’m taking it too seriously which I shouldn’t because I hate it when other people get dogmatic about music. Why would you want to bring the ultimate artform down to the level of politics or sport or religion? Discussing music is enjoyable but spitting contempt at people for their musical taste is a drag.

10:00am

By this time I’m usually in my studio, which is a glorified shed at the bottom of the garden. Here I turn on the computer and check my e-mails. Nothing. I never get anything until at least 10:30 when my agent gets in. If I’m lucky I’ll get a few offers to increase the girth of my winky, or fraudulent requests to confirm bank details but that’s it.

10:30am

Check my e-mails again. Could this be the day that Larry David’s people have finally got in touch with my agent having had a tape of some of my stuff passed on by some Hollywood Brit? No, it could not. If there are any e-mails from my agent they’ll go something like this:

Hi Adam. Any interest? Please see below

Dear Jenny,

I’m writing with regard to the availability of Adam Buxton for Telly Bestest! (I made this show up!) an exciting new project currently in production for Channel 4. Tottymax Films (I invented this name!) have been commissioned to create an 8 hour programme featuring clips from some of the greatest programmes ever shown on TV and we think Adam Buxton would be perfect to sit in a dimly lit bar and pretend he remembers them. I should stress this is not just another 100 Greatest show! Telly Bestest (made up!) will feature over 500 clips and interviews with every important person ever born so if Adam Buxton refuses to take part, he’ll look like a dick!

Yours truly, Tina Foogash (invented name!)

11:00am

After I’ve replied to all my exciting requests I take some time to get some other miserable tasks out of the way. Every day several joyless hours are devoted to at least one of the following: bill or tax paying, clothes washing, computer upgrades or malfunctions. I reckon these are the things that really make people want to be rich and famous. I’m pretty sure that George Clooney seldom spends soul-mincing hours on the phone to a helpline trying to configure his modem. I’m sure he has to do other soul-mincing things but I bet it’s glamorous mincing!

There’s also the weekly trip to Sainsburys. I pretend to my wife that this is a massive chore but I actually look forward to it. I swish through the aisles alone, listening to music and feeling on the verge major creative breakthroughs. By the time I’m at the checkout, as well as far too much pitta bread I’ve got at least 3 ideas for amazing new films or TV shows!

1:00pm

Back home I realise once again that I’ve thought of 3 very slight variations on Fraggle Rock. I eat my lunch and flick through satellite channels in the hope of seeing something that might be useful, either for a sketch or for the radio show I do with Joe on Xfm wherein we spend a lot of time talking about film and TV. I try to record everything I’m watching for that reason but it means I have hundreds of crudely labelled DVD’s lying around my shed, which I’ll probably never watch again.

3:00pm

Collect Frank from school. However fruitless my day has been up to this point the sight of Frank hopping up and down delightedly when he sees me is enough to make me feel perfectly happy.

4:00pm

In the afternoon I might have a meeting or two. These usually take the form of an hour of excited chatter with someone from a production company about a project that will never happen, either because it turns out I’m too busy or we realise it’s Fraggle Rock or more often than not it simply ‘goes away’.

This is a phrase I hear a lot when I ask how something is coming along. “Oh, didn’t you hear? It went away” Where did it go? “It just went away”. I’m never quite sure if this means they changed their minds about using me, or lost enthusiasm, or maybe just forgot. I’m just as bad though. I have sketchbooks lightly stuffed with ideas I was once very excited about that ‘went away’. The thing that makes very successful people different is that they refuse to let anything get away it seems to me, especially in TV where most ideas are so thin that unless you feed them up immediately the slightest gust of indecision sends them floating off.

Perhaps that’s why I often end up working alone. I can set my own pace, do things the way I want them done and there’s only my enthusiasm levels to maintain. Most of the time it’s great fun to be sat at my computer playing with bits of footage or writing short sketches or stand up material but I look forward to getting involved with something more substantial that forces me to work with other people again. Ditch digging perhaps. I’ve got some great ideas for ditches. I need to line up a meeting and pitch some ditch.

7:30pm

Unless I’m doing a gig or filming (both fairly rare) I shut down my computer and head upstairs to read to the boys before they go to sleep. This is one of my favourite parts of the day unless they’ve been watching TV in which case we have to nurse them through the withdrawal when the set is switched off. It’s frightening to see how nutty it makes them but I have to be careful not be too hypocritical. I have after all made a living out of watching a lot of crap TV for a while now. The main thing I try to explain to them is that too much crap TV leads to apathy, lardiness and in extreme cases Gillian McKeith, and nobody wants that.

9:00pm

What I don’t explain is that as soon as they’re sleeping soundly the TV goes right back on so me and my wife can trawl the filthy airwaves for a couple of hours before bed. To stop us going completely mental we try to have at least one good show on DVD that we know we can fall back on. At the moment it’s This Life but in the past many happily vegetative hours have been spent in front of 24, The Shield, ER and best of all The Sopranos which really is the kind of show that makes you believe that TV is the best medium going. Having said that, Celebrity Big Brother this year came pretty close too. If only they’d set it in a lighthouse with me as the lighthouse keeper and added even more hilarious creatures, it would have been just about perfect.

END

Adam Buxton 20/03/06

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July 29, 2005

The Times: Adam’s Big Adventure (25 July 2005)

by David

July 25, 2005

Edinburgh

Adam’s big adventure

Dominic Maxwell

Our new comedy critic finds one half of Adam and Joe is looking beyond television to the single life of the Fringe

NEXT WEEK, scores of young comedians will make their annual pilgrimage to the Edinburgh Fringe. All of them will be out to sell tickets and get laughs; some will even nurture fantasies of making their money back. And most will deem their wildest dreams to have come true if they come home with a deal to make their own Friday night Channel 4 show.

So, you have to wonder: why is Adam Buxton going to Edinburgh to make his debut as a live character comic, when he’s already the veteran of four seasons of Channel 4’s cult Friday night hit The Adam and Joe Show? “I’m doing my career in reverse,” he beams, his mouth a short bus ride behind the outrageous beard he’s been growing for the show since December. “Next year, I’m hoping to get a job in a bar. Year after that, maybe wash some tables.”

The truth, shame to say, is a little more prosaic. It’s four years since he and his schoolfriend Joe Cornish made their final Adam and Joe Show. After four seasons of digicam digs at pop-cultural staples — the film spoofs acted out by toys; the rubbishing of celebrities’ record collections — Channel 4 pulled the plug. More recently, Buxton’s TV sitcom, the excellent if downbeat The Last Chancers, was left on the shelf for a year before leaking on to the box just before Christmas. It has not been recommissioned. So to get his homemade parodies and wild personas to an audience, he’s decided that he has to go live. “Edinburgh is something I’ve been wanting to do for ages,” he says. “I used to watch that show Edinburgh or Bust!, which followed comics taking their shows to the Fringe, and think, That’s not very good, I can do better than that!

“And seeing that I’m not doing any TV stuff — cos I called a moratorium on presenting work two years ago, in the hope I would do more acting, but actually the acting failed to materialise, though obviously it’s about to go BALLISTIC! — I thought I’d go to Edinburgh, see if this character had legs, and also get to show all the video stuff I’ve been doing.”

The character in question is Pavel, a very hairy, very pretentious East European animator. Pavel makes alarmingly avant-garde cartoons full of abstract shapes and jarring sounds — the sort of thing that used to play in two-minute bursts on BBC Two. And as the outlandish animator tells his ludicrous life story — from troubled beginnings as the only child of a clown and a strongwoman, to troubled endings as a lubricious lecturer at a London art school — character comedy blends with Buxton’s lovingly assembled pre-recorded videos.

“I know I’m going to get some stick for using so many props,” says Buxton. “People will go: that’s not what Edinburgh’s about, it should be one man and his mike! But there’s lots of other men and their mikes. I’m sure there’s room for something like this.”

The something like this includes a video of his 2-year-old son Frankie in his cot, playing a TV executive who will commission shows only if they star Jimmy Carr. Pavel, like Buxton, is a victim of the rigid formatting required in a competitive multichannel universe. And then there’s the extended Star Trek farting sequence — far better than it sounds, thankfully — suggested by his director, David Sant. But Buxton is a little worried what his script adviser, Graham Linehan — co-creator of Father Ted — will make of the show’s flatulent new direction.

“Graham hasn’t seen the fart material yet. He’ll go: ‘Oh, Adam. . .’ Graham’s a real — not a fascist exactly, but he’s a real comedy scientist. Which is the opposite of me. I shamble my way through, and he goes, ‘More jokes! More jokes!’ I’m not used to thinking about jokes as such. Edinburgh is all about seeing if I can make a fist of these things.”

Newcomer though he is, Buxton’s TV fame means he won’t be eligible for the Perrier Award. At the age of 36, he’s nobody but a desperate commissioning editor’s idea of over-the-hill. He and Cornish would love to make more Adam and Joe Shows, given the chance, but Buxton knows that he needs somehow to make his name — again — in a TV comedy culture in which content counts for little unless you can sell it in a catchphrase.

“I was supposed to audition for a couple of sketch shows earlier this year. Then I heard that they didn’t want me because I was too big a name. And I thought, ‘Since when was I too big a name?’ I’m too big for Channel 4, but not so big that they’ll hire me! I seem to have fallen between two stools in a very frustrating way.”

Hence some big hopes for Edinburgh, albeit moderated by the knowledge that it all might come to nothing. “I know that people will poke holes in it: ‘What’s the point of Adam Buxton, I thought we’d got rid of his annoying student antics and here he is again.’ And I’m worried that I’ll come out thinking, Why did I do all that? Why haven’t I spent the past nine months trying to get a proper job on TV?”

So if you can get past Pavel’s preposterous accent, he has rather a lot in common with his creator. Both are creative types who insist on doing things on their own terms (“though I might be less choosy about my TV work if I stopped getting voiceovers”). Both believe in untrammelled artistry — albeit, in Buxton’s case, in a populist form. “I’m an ex-art school guy,” he says. “I love the idea of all these people going up to Edinburgh and trying things out. Exposing themselves. I’m quite a pretentious sort of person at heart.”

# I, Pavel is at the Pleasance Courtyard (0131-556 6550) from Aug 3

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